The dancing visuals in Anti-Body are created by motion-capture tech Sodium Bullet
Lilian Baylis Studio, Sadler’s Wells Theatre, London, from 6 to 8 October
IN HIS book Homo Deus, writer Yuval Noah Harari asks: “Are organisms just algorithms and is life just data processing?” Is it possible that the human mind could one day be downloaded onto a computer chip?
This existential, unsettling idea is key to Anti-Body, a new dance work from the Alexander Whitley Dance Company, which has its London premiere next week.
At a recent technical rehearsal, I saw the piece’s three…
